Passion Miss Ima was 81 when she enlisted me for one of her projects. She was driven to her projects in a plain Plymouth wagon by a suited servant, who served her and her luncheon guests a wicker basket of fresh-made fare, tasty but nothing special as might be expected of a grande dame of Texas culture. She had to be a picky eater, she grinned, had to maintain her delicate health, no food prepared by anyone except her own cook of 45 years, and who went along for long trips. She told me that ever since her young miss world trip to Europe at 18, where she became deathly ill on rich food, she limited her intake to simple dishes, and -- she became serious at this point -- and a unique concoction administered by her physician. Once, when I awaited a session in her Bayou Bend mansion, the doctor passed on his way out. He nodded to me, with a faint smile, and briskly walked on holding a very small flat case, tight against his breast. He had orange hair and freckles. Miss Ima rang for me to come up to her bedroom. I went in and she was in bed, propped up, a light at her side. She had a wonderful smile, which surprised me, since she was customarily reserved and businesslike. She asked me to sit and tell me about the work I was doing for her. She was almost girlish, certainly much gayer than at the project site where she surveyed the work from her gray wagon, had lunch and left, excusing herself due to easy tiredness and the long trip back to Houston. A few weeks later the peculiar bedroom scene was repeated but with an astounding change. Somone rang for me to come up and there I found the doctor at her bedside adjusting intravenous tubes, one each of which ran from her arms through an adjoining draped doorway. It was obvious that a blood transfusion was taking place. I stared. Miss Ima's eyes were closed and the doctor motioned me to silence and signaled to wait. He completed what he was doing, removed the apparatus and tubes from Miss Ima and wiped and taped the punctures. He folded his syringe case, the flat one I had previously seen. He rolled the apparatus through the drapes, returned, nodded to me to sit next to her, and left quietly. In fifteen minutes or so she came slowly awake, said, hello John dear, in the most alert and girlish voice, this time more coquettish. She reached out to pat my leg, and said, tell me what you did this week on our project, sweetheart. I made my report, feeling odd at her behavior, while she looked at me with her bright yellow-toothed smile and pinkly glowing wrinkled face. Our next three sessions were similar, except that each time the doctor rang me up earlier so that I saw more of his ministrations. Miss Ima became increasingly intimate with me, using terms of endearment and holding my hand, my upper arm, my thigh. She asked me to call her by her preferred terms of affection. She said her father called her, sugar, which she liked most, for it was also the term used by her sole lover at 18, in Paris, a jazz pianist, an American black, who introduced her to heroin, to her love of impermissable culture, her love of liberation, her love of solitude, her unrequited love of young men devoted solely to their art. She confessed to me, as young lovers must of their vices, that she received daily transfusions of fresh blood, transposed from young volunteers who were paid well for the service and silence, who were located in the adjoining room and never saw the lady to whom they were giving life, nor the doctor who dutifully injected the young miss's concoction into the stream feeding her reluctantly dying arteries of high passion. We finished our work and parted, some months afterwards. I read much later that Miss Ima was horribly killed in London when her cloak was snagged by a closed cab door, dragging her to death, aged 89, even at this terrible end on her way to a session of passionately supporting her love of high culture. For me, the young-blooded miss in the grande dame was a veiled seductress whose unquenchable passion haunts me still, as it surely does others of her used and discarded jazz-time lovers. ---------- March 12, 1995